Wednesday, 7 January 2015

PETER BANKS EMPIRE ~ THE MARS TAPES

06 Jan 2015

CRR (Dot EU) - New Classic Rock Releases
Spotlight: Peter Banks Empire - The Mars Tapes (2014)

Imagine my panic when, on the day I set aside to write about Peter Banks Empire - The Mars Tapes, that it's revealed that the second disc of the two disc set is...MISSING! Lucky for me I knew where it was. In an automobile that I rented and gave back to its rightful owner the day before. Listened to both discs driving up and back to San Antonio during the recently passed Christmas holidays. When returning the vehicle I made double sure to look and make sure I didn't forget anything, neglecting to check the fancy CD player we used the entire four hundred mile round trip. Would have sucked if the CD was lost / thrown away.

A couple days after returning the vehicle, a happy ending took place as I was reunited with the disc at the Enterprise Car Rental place in Katy, Texas. Nice people over there. In the meantime while missing the second disc, I played the first disc a few more times. Worked out fine really. Oh wait...I caught a nasty ass cold, and after that had three back teeth removed in my lower jaw (receiving stitches in my mouth). The pain once the novocaine wore off...Holy Shit! I promise myself that I'd NEVER do that EVER again. It hurt so much. The first few days after was pretty unbearable 24/7. Then everyday after that, a tad less painful than the day before. In total, about five or six weeks of agony! And all through this I'm playing mostly this new Empire / Peter Banks archival two CD project. Now having survived, I can say it helped me through by rearranging my focus. Shifted my attention onto something else. Along with some hot tea and honey, Peter Banks Empire - The Mars Tapes became a cool distraction from everything I was physically having to deal with. Onward through the fog.

I would be remiss if I neglected to mention that I once worked with Peter Banks, trying to help him promote an autobiography he penned with the help of William (Billy and not William regarding authorship recognition first name) James; titled 'Beyond And Before...The Formative Years of Yes.' This is back at the turn of the century. Sometime after publication, I lost touch. Enjoyed the contact I had with Peter. With him in the United Kingdom and myself in the United States, the phone and fax machine was our main source of communication. Peter was always nice to me, at least until one of my good friends royally screwed up involving getting his wife (after Sidonie) and himself free admittance into a Alice Cooper show, and then hanging out after the show together. The whole thing planned ahead of time. Very professional actually. Never happened. My friend got so involved with what he was doing that he totally forgot about Peter and his wife, leaving them hanging at the door. My part was being a go-between, and setting everything up. I drew up an itinerary, that my musician friend totally ignored, being caught up in all the excitement. Wasn't on purpose at all. Was seriously disappointed with the outcome. Again, nothing I directly did. Frankly, I'd be super pissed as well with the traveling that was required, and be it all for nothing. So there went my contact with Peter. Still, I remained a loyal listener. Up to the end he stayed active, and his playing was still top-notch. Broke my heart hearing the news of Peter's passing (2013).

Think how shocked I was when towards the end of 2014, here comes along some unreleased Empire music. Of course I'm interested. Could my review be bias? A distinct possibility, so much so that I'd say YES myself. Be it as it may, I decided the BEST thing to do would be if I went down another path. Therefore, instead of a straightforward review, the following are my impressions, listening to what I believe is one of the best archival projects to come down the pike in a while. From a band led by a man labeled the architect of Progressive Rock. Empire's music emcompassed many styles even containing a hint of what was popular on the charts via record company / companies request. Remember disco? A tune called 'Dancing Man' comes to mind that Empire did. Rehearsed to play live as well, as a part of a Empire medley. Included in The Mars Tapes (disc one) for your listening pleasure.

Imagine if you will, a professional established progressive rock musician trying to jump start a band to his liking, when music not of his kind, is ruling the airwaves. The promotional norm at the time by newer and younger rockers was to simply talk shit about established bands. One example was labeling the chart toppers "Dinosaurs". This said with intent to kill interest in them, while at the same time boasting their own popularity. The musical tide was sure changing, and unfortunately just never in the direction Peter or Empire needed it to go.

Fact is Peter Banks Empire was a band that had three major attempts at becoming a commercial musical act, and failed at doing so, ALL three times. In their defense, years after the band broke up and went their separate ways, music they created did see the light of day. Three CD's labeled Empire...featuring Peter Banks, Mark I, Mark II, and Mark III. One Way Records in the 1990's put these out. Yours truly being the BIG Peter Banks fan, of course purchased all three at the time of their release. Out of print and collectors items nowadays. Note, knowing I would write something about the newest P.B's Empire release (The Mars Tapes), I reacquainted myself with these recordings recently. The third CD of demos / studio recordings, Mark III, compliments this recent release very well. Same musician roster. Here's the band practicing what would have been a pretty cool set list if they even got a chance to perform anywhere in front of a paid crowd. And they would have had that, had Mark I been released properly, and money spent promoting the song, 'Out Of Our Hands' been made a single. Could have been a hit, or at least got respected airplay. Its success would have launched the band towards popularity, and that is what makes money and keeps things afloat. As humans mature, sometime during the process most of us learn, and it's usually always the hard way, that hopes and dreams cost money. Adds up quickly. As does time in a professional recording studio.

Empire had a six year history with major occurrences happening between projects. This was Peter's group. He devoted his all to this. The time frame was 1974 to 1980. When the financially bad times hit, he slept on peoples couches while playing salesman, trying to get the band it's BIG break. From his own personal accounts, Peter's attitude came off as 'all or nothing'. Unlike other rock bands he participated in like Yes or Flash, Empire as a whole had no one to answer to but Peter. With authority came responsibility. At times the money was there, and at others it wasn't. Unfortunately in the business world in which music, like it or not, is a BIG player, deals fall through. Peter's actions dictated the man certainly tried, doing all he could to make Empire not only the band he wanted, but a success as well. A hard working / well rehearsed musical group that made chart topping albums, and went out on tour. A band that actually played live gigs in front of paying crowds. None of that ever happened for Empire. I conclude what a major shame that was, because the material when presented in the right environment was there. I base this on the three (Mark I, II, and III) now Out of Print (OOP) Empire factory pressed from the now defunct One Way Records CDs that I have. All these years later since their release is further testimony to conclusion, with the double CD; Peter Banks Empire - The Mars Tapes.

Let's talk content. The two CD's that make up Peter Banks Empire - The Mars Tapes amount to around ninety minutes of unreleased music from what would be the third major, and I guess final line-up of the group. Rehearsal tapes recorded at Mars Studios in Los Angeles, California. Music that represents not only the three past failed studio recordings, but Peter as its star as well. He was the music guy, and his once wife and Empire's lead singer, Sydney Foxx (nowadays Sidonie Jordan) had the task of doing lyrics. Having been in all three incarnations of Empire, it was her band as well as it was Banks. Truth was it was her lyrics and singing that provided the cohesiveness the band needed. Since her Empire days, Sidonie seen a variety of success, as did the bands drummer, Mark Murdock. He's currently rocking Tokyo Japan, with a group called Machine Messiah in which material like that found on this CD, could be heard / seen in concert. Mark also is very involved with a very cool progressive / jazz-rock band called, Cymbalic Encounters. Their sophomore studio release will be out here shortly. Includes Percy Jones and John Goodsall from a band Phil Collins was in at one time called; Brand X. As for the others involved with Empire, we are after all talking a few decades ago; R.I.P.

Did I just speak his name? One of the best drummers in prog-rock history, Mr. Phil Collins is included in Empire's history, being a session man in the bands beginning days. Friends of Peter's, it was another band he was in called Genesis that kept him from perhaps being Empire's full time drummer. As a admitted fan of Empire, be it what ever line-up, featuring Peter Banks, I just think it's so cool he contributes. Makes for an excellent footnote. A man behind the drum kit that I would have loved to have at least once witnessed in person, seeing him play live. With everything else I witnessed over the decades it's hard to believe I missed something like that. A lifelong friend with Empire's final drummer, Mark Murdock also. Phil rocks! Good singer / showman also. Oh...on The Mars Tapes, Mr. Collins appears on disc two. On a song called 'Sky At Night'. A beautifully layered prog-rock song if there ever was one. Sydney / Sidonie's vocals shine here, and I dig the tabla playing (by Sam Gobal). Another one with hit potential, and I bet would have been cool to see them do in concert. Give the prog rock band Renaissance a run for their money.

Uncle G Rating: Using the one to five star rating system with one star pretty much meaning, "pass", to five stars meaning it's cool to spend your hard earned cash on, I rate Peter Banks Empire - The Mars Tapes - 5 Stars! From the concept, which would include an awesome representation via the artwork that accompanies this release, by Paul at Studio 3 (as listed in the CD's credits). Makes for slick looking promo ads as well. A GREAT idea using an obvious Sci-Fi twist based on the name of the studio. Nice work! Progressive rock and Outer Space do go together nicely.

Speaking of Mars, a couple instrumentals found on the second disc of The Mars Tapes by Peter Banks Empire, captures the spirit of the project. The first being a tune called 'Ascending To The Planet Mars'. Songwriting credits go to Peter and the whole band. And also containing the same spirit is a song called 'The Fall Of The Empire', which gets my attention every time played. Always trying to be honest, I LIKE the second disc of Peter Banks Empire - The Mars Tapes more than the first. Different listeners, different reactions. Remember, I'm more into the actual music itself. It's Peter's guitar playing that holds my focus. All other players being outstanding, and having to be so to keep up with Peter in the first place.

Note: Please understand what an archival project is before paying all that money for postage. You know, should one be buying the physical CD itself. Available for official download also. The recordings themselves reflect recording devices and techniques reflective of the time the music was recorded. Just pointing out the obvious. Saying that, sounds very well being blasted out of a powerful home stereo system. Comparable or better to that of the One Way Record releases. On the negative side, a couple songs could have had better endings, and not sound so like they abruptly stop. Maybe could have faded out sooner? Maybe due to glitches in the source tapes themselves? A wild guess really. I once was involved with a Billion Dollar Babies three disc CD archival project called, Complete Battle Axe (2002). Learned many valueable lessons helping Michael Bruce with that one. Another story for another day. Back to the way a couple songs ended, it's really the only bad thing I got to say about the whole project. Having worked on an archival project before, was taking a above novice educational guess as to why.

Before this turns into a two parter, I sign out forever a fan of Peter Banks music. His sound will outlive us all. The possibility of a human being on the planet Mars listening to music Peter was involved with, or better yet, this very recording, will increase as time goes by. In the vast far reaches of outer space...may the vibes proceed the jive. Isn't that Seventies sounding?

Gary Brown
American Correspondent for Classic Rock Radio (Dot Eu)
Twitter @GBrown0816

Sunday, 21 December 2014


21 Dec 2014


CRR (Dot EU) After Hours Movie Review
Spotlight: Rockin' The Wall (2010 Documentary / 2014 DVD Release)

I had the pleasure along with my lovely wife of watching the 2010 documentary; Rockin' The Wall. Based on the best-selling book, Seven Events That Made America, America by Larry Schweikart. Secured the DVD. As soon as I pressed the play button on the Blu-ray, my lovely wife and I became engulfed almost immediately. Surprised my better half because she figured it would bore her to death from the get go. Some boring classic rock film. Not really, and far from it.

Three days before I was born, the Berlin Wall was constructed. Life as known then, was changed from that moment on. For those inside, and outside the military protected barrier. People died trying to escape / get pass it. You know something is bad when you hear stories as these. And who could blame them? From the years 1961 to 1989 this crap went on. And what helped the wall come crumbling down, you ask? Many things actually, but would you believe in part, rock n' roll music? And to say anything else I'd be taking away from the wonderfulness that Larry Schweikart, and director Marc Leif have in store for you in the new to retail DVD release; Rockin' The Wall. A well done narrative by Adam Baldwin. No time wasted telling a very compelling story. And one that needs repeatedly to be told so others don't try making the same mistake again.

NO MORE WALLS! NO MORE WALLS! NO MORE WALLS! NO MORE WALLS!

Rating: Using the one to ten star rating system as found on other popular DVD review websites, Uncle G gives the 2010 documentary (it also has / had a soundtrack) Rockin' The Wall (a film by Larry Schweikart and Marc Leif) Official retail DVD Release; 10 Stars! Classic rock fans / followers should especially be interested.


OH...let me name drop...from The Doors...includes cool classic rockers like; Robby Krieger. Briefly, and used where it counted most. One more BIG name, John Van Tongeren. Does original score music. Keyboardist and Music Composer with some really super cool credits to his name. So, many reasons as to why to check this out, if you have not already. Is worth buying / renting for the evening.

Gary Brown
American Correspondent & 'The Stay at Home and Watch Documentary Guy' for Classic Rock Radio (Dot EU)

Saturday, 20 December 2014

ROCK LEGEND RANDY BACHMAN ANNOUNCES NEW PROJECT:
BACHMAN’S HEAVY BLUES DROPS APRIL 15, 2015

Guest soloists include: Neil Young, Joe Bonamassa, Robert Randolph and Peter Frampton

The man known as the “architect of Canadian rock n’ roll” is forging ahead into 2015 with a brand new project billed simply as BACHMAN. Joined by a virtuoso rhythm section with Anna Ruddick on bass and Dale Anne Brendan on drums, the trio’s debut effort entitled Heavy Blues will be available worldwide on April 15, 2015 through Linus Entertainment.

Heavy Blues draws from the unlikely trio’s love of classic 60s blues rock and emerges with a blistering sound, a fierce and fearless collection of BACHMAN originals. Featuring an enviable list of Randy Bachman’s contemporaries including Neil Young, Joe Bonamassa, Robert Randolph and the late Jeff Healey, each musician contributes their signature-style guitar solos blending classic blues and rock with a modern undertone.

Produced by internationally-acclaimed producer Kevin Shirley (Iron Maiden, Rush, Led Zeppelin), Heavy Blues marks the rare occasion that Randy Bachman has relinquished the producer reins. “'I’ve known Kevin for many years and watched his producer credits grow to include many rock legends,” explains Randy Bachman. “I knew that he could push me past my limit, pull me onto new paths and direct me down new roads. The collaboration, paired with Dale Anne and Anna’s musical ferocity, has made this entire project an amazing experience for me.”

A legendary figure in the rock n’ roll world, Randy Bachman has earned over 120 gold and platinum album/singles awards around the world for performing and producing. As the co-founder and principal songwriter for The Guess Who and Bachman-Turner Overdrive, Randy Bachman’s monstrous hits, including “American Woman,” “Looking Out for #1,” “Let It Ride,” Taking Care of Business,” and “No Sugar Time,” have garnered him the coveted #1 spot on radio playlists in over 20 countries and he has amassed over 40 million records sold.

Randy Bachman has been awarded Order of Canada, ASCAP’s Global Impact honour, Musicians Hall of Fame in Nashville, and received two separate inductions into the Canadian Music Hall of Fame.

FOR MORE INFORMATION VISIT:
WWW.RANDYBACHMAN.COM
Pat Travers Band: Live At The Iridium NYC

Tracklisting:
 Rock And Roll Susie; Gettin’ Betta; Crash And Burn; Heat In The Street; Josephine; I’ve Got News For You; Ask Me Baby; I La, La, La Love You; Lone Wolf (Kirk solo) / Red House; If I Had Possession Over Judgement Day; Spoonful; Black Betty.

It was a July day of unparalleled rock ‘n’ roll awesomeness for Pat Travers, one he remembers well to date. The year was 1978 and the location was at the Oakland Coliseum, where roughly 55,000 fans were attending for an unforgettable day that saw the newly formed Pat Travers Band play together with AC/DC, Van Halen, Foreigner, and Aerosmith. The band had spent much of the year on a tour that would be released in 1979 as “Live! Go for What You Know,” arguably his best and certainly one of the most acclaimed Hard Rock Live albums of all times.

Toronto-born Pat Travers, is truly a swaggering hard-rock axeman. He picked up the guitar after a Jimi Hendrix performance in Ottawa. His debut album was released in 1976, and while his most successful releases like "Makin’ Magic" and "Crash And Burn" are now more than 30 years old, he never consigned himself to the nostalgia circuit.

In 2012 Pat Travers Band made a comeback with a new lineup - which saw the return of drummer Sandy Gennaro behind the skins - and a new record “Can Do”, released the following year. A great release which saw Travers and his band playing better than ever! In the tour that lead up to the release of that album, he picked the right venue for this celebration of a new live CD, "Live at the Iridium NYC".

Pat says: “The two shows that we played at the Iridium Club in February 2012 marked the first time I ever really felt totally comfortable and “at home” in “The Big Apple”. The people at the Iridium just made us feel like we were honorary New Yorkers. It was awesome.  Having done an extensive European tour at the end of 2011, a Caribbean Cruise Ship gig and a bunch of concerts at the beginning of the year the band was on fire. So being able to record a set at the Iridium in New York City was the perfect venue and time to capture the PTB at their smoking best. We were fortunate to have Jon Paris join us on “Blues Harp” for two classic tunes and he just tore it up and showed us all how the Blues is really done”.

Presenting all the highlights of his career and combining the individual talents with the chemistry of being on the stage, you can feel an energy that is tangible on this recording, an enjoyment that is infectious, and, quite frankly, you owe it to yourself to catch this band whenever and wherever you can.

PAT TRAVERS BAND:
Pat Travers: Guitar, Vocals
Kirk McKim: Guitar, Vocals
Rodney O’Quinn: Bass Guitar, Vocals
Sandy Gennaro: Drums
Jon Paris guest on “Blues Harp” on “If I Had Possession Over Judgment Day” and “Spoonful”.

Thursday, 18 December 2014



17 Dec 2014

CRR Dot EU – New Music Review
Spotlight: Billy Idol – Kings & Queens Of The Underground (2014 BFI Records, Inc.)

How refreshing it is when an established musician comes out with something fresh and exciting? So good it makes you remember why you originally became a fan to begin with. Such is the case with Billy Idol's latest studio offering called Billy Idol – Kings & Queens Of The Underground. His personality unique, and a voice that captures ones attention. I have one of Billy's Greatest Hits CDs in my collection. I always dug the hits, but for whatever reason just never spent the time learning his whole catalog. Something that I'm motivated to do after hearing this latest one.

My personal friends have heard me talk of “perfect albums” before in conversation. Taste varies. Definition for myself being that I get into every song, where an album's third track is just as good as its last. Not the same as one's favorite album. In your mind, obviously it has left an impression. Not a wasted note, not too long to bore and take away from what's good nor too short so that it's not an album anymore. That the lyrics be matched with the right music and band where everyone gave their all and devoted all they had. Believed in what they were doing. Wait....too deep. Think I made my point. Every song here is worth playing, totaling almost 48 minutes worth of stellar performances, not only from Mr. Idol but from all those around him involved in this project as well.

So speaking of, who knew in the year 2014, we'd get a Buggles reunion? The duo whose song 'Video Kill The Radio Star' helped launch a network. Trevor Horn and Geoff Downes are all over this album. Both behind the scenes and in the studio, performing the music. Mr. Horn is a solid bass player, and Mr. Downes plays keyboards for both prog-rock bands Yes and Asia. And that's not everything. These guys are superstars, believe me. Steve Stevens is on guitar. Ash Soan (Producers) behind the drum kit on every number except for on a tune called 'Save Me Now'. A guy I saw play drums for Tori Amos over a decade ago, Mr. Matt Chamberlin.

I purchased Billy's King & Queens Of The Underground CD the first few days it was out. If you support an artist, try buying their new shit the first week it's released. Big sales numbers make headlines, and sways not only opinion, but also careers. Honestly, its been a while since the public had some new Billy Idol music. In today's market, if you're already established professionally and you don't have something fresh, you're labeled a greatest hits act. Just riding on your laurels milking it for all you can. If not independently wealthy, and doing it just to get out of the castle.

Billy Idol - King & Queens Of The Underground (2014) – Uncle G's Review & Rating

I love when I TOTALLY fall into a new CD. Repeated plays EVERYDAY for DAYS in a ROW. Am not sure if I started memorizing the music first, or the lyrics? Forty Eight minutes long, and no filler, no place. Keep in mind, I was a fan of Billy beforehand. Not a fanatic, but I was already sold. Seriously...who the fuck doesn't already like Billy's cover of 'Mony Mony' (Tommy James & The Shondells)?

Nice start! The first track called 'Bitter Pill', has Billy coming in and almost immediately you hear the word "Go!” Like he just rode in on a motorcycle, got off the bike, and just walked up to a microphone, all done in precise time. A toe tapping number with semi-autobiographical words, as is the lyrics to the whole recording really. A recurring theme. Now a mature man with experiences worth recalling. The voice is stronger. He believes what he hears, and the results clearly show it. Songs either produced by Trevor Horn, or Greg Kurstin. Imagine being another producer on the same project as Trevor Horn? No pressure I'm sure.

Solid songwriting throughout Kings & Queens Of The Underground. Proof's in the cuts. Musicianship solid. More upbeat, in which I dig the most. I already know that when I'm finished with this review, and I'm off writing another one about something else (cool B movie), that this compact disc will STAY near my home stereo. Absolutely perfect!

Uncle G's Favorite Moments:

The first song I pushed the repeat button on when giving this a first listen was found on track four 'One Breath Away' . Musicianship blows me away! Kind of groovy at first, and then look out...holy shit! Hear for yourself. Right at the 2:19 mark. Play this loud and you'll be capable of blowing out your speakers, and just not caring. Lasts under a minute and Billy comes back in. Classic Idol!

Something about the word "go". The last track on Kings & Queens Of The Underground is actually one of the best get-up and go songs that I heard in a while. Rocks like crazy. Bass line is infectious! Billy sings about what he knows. I did my teen years mostly on the streets, in the 1970's on the Jersey Shore. I can identify.

Uncle G's Rating

Using the one to five star rating system, whereas one star means it sucks through a long straw, to five stars meaning it's a new musical masterpiece, I give the new Billy Idol studio album Kings & Queens Of The Underground...5 stars! I am already certain this will be on my upcoming Best Of '14 – Top Ten List. Stay Tuned!

Gary Brown

American Correspondent for Classic Rock Radio (Dot EU)

Twitter: @GBrown0816

Wednesday, 17 December 2014

RIVAL SONS ANNOUNCE EUROPEAN TOUR FOR EARLY 2015

“They craft near-perfect garage-rock songs to hang the thrills and frills from.”Kerrang!



“A powerhouse of big riffed rock ‘n’ roll” - Q Magazine



“..a cavalcade of fuzzy, hulking riffs, swinging psychedelic grooves and hollered vocals” – Mojo


“Sun kissed psychedelia and irresistible hooks, with the band’s soul, funk and blues influences thrust joyously to the fore… If you thrilled to the Black Keys it’s time to meet your new favourite band” - The Guardian


"..sheer unadultarated greatness" Classic Rock (#1 Album Of The Year 2014)



Long Beach, California's RIVAL SONS are currently winding up the UK leg of their European tour, and are delighted to announce they will be heading back in March and April 2015 which will see them headline the prestigious Roundhouse in London.  Tickets go on sale THURSDAY 18TH DECEMBER 2014 – 10AM.

The band recently performed on Later With Jools Holland, following another TV appearance in the USA on the Late Show with David Letterman and   phenomenal performance at the star-studded Classic Rock Roll of Honour awards in LA.  They also fitted in a last minute support slot with Lenny Kravitz at Wembley Arena.

With elements of psychedelia and more than a nod to soul the new Rival Sons album ‘Great Western Valkyrie’ received rave reviews when it was released earlier this year. It was rated the No.1 album of 2014 by Classic Rock magazine as well as hitting the Top 20 albums of the year in Kerrang magazine. This, their fifth record in as many years saw the band yet again recording live in Nashville, using 50’s gear borrowed from Sun studios , acknowledging their heritage, but always having their eyes and ears focussed on the 21st Century.

There will be a new RIVAL SONS single in January 2015. ‘Good Things’  is a stroll through the land of possibilities that highlights the soulful melodies of enigmatic singer Jay Buchanan, shows off the signature guitar tones of Scott Holiday whilst the powerhouse rhythm section of Michael Miley on drums and the sultry grooves of Dave Beste on bass pin the whole song down.

March 2015
Sat 28 Leeds Academy, UK     
Sun 29 Liverpool Academy, UK    
Mon 30 Glasgow Academy, UK  
April 2015
Wed 1    London Roundhouse, UK     
Fri 3        Nottingham Rock City, UK    
Sat 4       Southampton, Guildhall UK

Great Western Valkyrie, is available now and stormed into the charts around the world upon its release.  Available on digisleeve CD and limited edition vinyl LP at 
or on iTunes at 
Official Site -
Facebook - 
Twitter - 

Tuesday, 16 December 2014


Following the release of the Sunflower Jam ‘Celebrating Jon Lord’ in September 2014 (No.1 in the DVD/Blu-Ray Charts in five European territories), another great once-in-a-lifetime event is going to be released on 2 March 2015 on earMUSIC.   ‘Ian Paice’s Sunflower Superjam – Live At The Royal Albert Hall 2012’ will be available as a CD+DVD and DVD+CD set.

This spectacular live document is a feast for the eyes and ears capturing the second of the Sunflower Jams in the most prestigious of all London venues: The Royal Albert Hall.  Before this show, which was open to any rock fan, “the Jam” was a private charity event, organised by Deep Purple’s Ian Paice and his wife Jacky Paice, where the biggest stars would jam and perform classic songs to raise money for charity.

‘Ian Paice’s Sunflower Superjam – Live At The Royal Albert Hall 2012’ couldn´t have turned more powerful, thanks to the contribution of Mark King (Level 42), delivering groovy renditions of two of his greatest hits with a legend of the Hammond organ: Brian Auger, who also plays on almost the whole show; Iron Maiden´s Bruce Dickinson, who lends his explosive voice for Thin Lizzy´s ‘Emerald’ and The Who´s ‘Behind Blue Eyes’, Alice Cooper playing with Ian Paice and Brian May his classics ‘Elected’ and ‘School´s Out’, or Bruce Dickinson, Brian May, John Paul Jones and Ian Paice teaming up for a rendition of Deep Purple’s ‘Black Night’.

For British Blues Rockers The Temperance Movement at the time this was their biggest show yet, while Steve Balsamo paid tribute to Jon Lord with ‘Pictured Within’, anticipating the great homage the Sunflower Jam would dedicate to Lord two years later with ‘Celebrating Jon Lord’.  Just when the Royal Albert Hall audience thought it simply couldn’t get any better, the final ‘Smoke on The Water’ literally caused an explosion of joy and celebration - A feeling that is present on each song of this exciting recording.

The DVD contains the whole show plus further bonus tracks by Brian May & Kerry Ellis, The Temperance Movement and Alfie Boe.